![]() ![]() After the Bible entered the fine arts market, it has been in a private collection since 1996. Gottheil, „Some Hebrew Manuscripts in Cairo“ in: Jewish Quarterly Review 17, 1905, p. Thereafter its presence is attested in the Zaradel Synagogue of Alexandria in the 19th century (R. In the 16th century, the Bible was owned by the Talmudist and Rabbi Abraham di Boton of Thessaloniki (f. In the 15th century, it was the property of Moses Abulafia, until his widow sold it, as shown by the sales contract, dated and signed in 1526 in Thessaloniki and placed in the beginning of the book (f. 467v) dated 1367 (?), this Hebrew Bible was probably owned by David ha-Cohen Coutinho, member of a family of Portuguese marranos. The first biblical books are introduced by titles that are executed in browned gold on background fields of pink and blue with white scrollwork (f. 42r- 43r, 461v- 463r), where they form magnificent geometrical figures and interlace. Importantly, he does not limit his inquiry to the manuscript tradition of Mark, but extends it to Matthew and Luke, whom he deems the earliest surviving. These micrographic elements are sometimes enlivened in the lower margins of the pages (about 70 occurrences) or on all four sides of the pages (e.g., ff. The biblical text, copied into one or two columns, is accompanied by the Small and Large Masora (rules from the rabbinic tradition regarding the reading and vocalization of the sacred texts), which were written in tiny letters in the margins and in the gutters. IIr- IXv and 463v to 466v), which, framed by illuminated borders, form “carpet pages”. The manuscript opens and closes with Masoretic lists (ff. Sephardic Bible in Hebrew, produced in the first half of the 14th century in Spain, probably in Castile. Attached in the beginning and at the end are two sheets of parchment containing a part of the Proprium de Sanctis from a Latin breviary from the 13th/14th century. Three more hymnals of this type, also the result of the collaboration of these two artists, are known: two in Jerusalem and one in Jerewan. ![]() The text contains the collection of hymns in use in the Armenian Church, in the same order as in a Hymnarium printed as a first edition in Amsterdam in the year 1664. He believes that this majority opinion is wrong, but he does not try to hide the fact that this majority scholarly opinion exists. Even conservative scholar Richard Bauckham admits this in his book, Jesus and the Eyewitnesses. The manuscript features the Armenian Khaz-notation. The majority of ALL New Testament scholars absolutely do NOT believe that eyewitnesses wrote the Gospels. The manuscript is part of certain hymnals, created for private customers in the region of Lake Van and characterized by bright colors and interlace ornamentation. We know them from Matthew and Luke - Jesus said, I have come to cast. He was one of the most fascinating artists of the late School of Vaspurakan. It does not tell the story of the life and death of Jesus, but offers the reader. It contains 11 large miniatures and 28 miniatures in the margins, executed and signed by the painter Yovanes Gharietsi. Liturgical manuscript (Sharaknots), written by the copyist Awetis in Khizan in the province Van in the year 1647 (1096 according to the Armenian calendar).
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