You said that when you were first making music you didn’t have the ability to speak in technical terms. I’d be out for, like, three days and go to work and people would be like, ‘How do you do it?’ Now if I was out for two days, I would literally die. Like with anyone, your journey with the club and nightlife should grow and change with you. I enjoy people-watching myself, I don’t always enjoy being watched. I didn’t realise it was loads of people that were in the spaces that I went to. After being inside for so long, I didn’t realise what my audience was in real time. It was a weird experience re-entering those spaces and having people coming up to me when I didn’t even feel very able to talk to the people I knew. Forward-thinking co-creators aside, this record is Shygirl being softer, more vulnerable, and commanding your attention as Britain’s main experimental pop girl.Īs a London party girl, what’s your experience of ‘post-pandemic’ clubbing been? Sonically, it balances dark and light sounds, the twisted and the futuristic, and draws heavily from classic club tracks and wistful and expansive 00s pop. The 12 tracks of Nymph were created with her best friends including Arca, Mura Masa, and Sega Bodega, along with producers like Noah Goldstein, Danny L Harle, and BloodPop. “This music takes its time a bit more and doesn’t rush into the room but does make a space for itself,” Muise says, calling from the hairdresser’s chair in London, pampering ahead of a trip to France for live shows.
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